Whitney’s Official 2016 Oscar Snubs

There are plenty to choose from, right? Ridley Scott, Star Wars, Michael B. Jordan, Idris Elba. The list of Oscar snubs, as it does every year, goes on. My diplomatic response would be that the Academy simply can’t accommodate and acknowledge all the great work that was churned out this year. My unfiltered Fangirl answer would be, did The Revenant and Fury Road really, really deserve 12 and 10 nominations, respectively? It’s a subject that’s certainly up for debate. But I’m not here to talk about the Academy’s apparent inability to spread the love. No, I would instead like to focus on the few specific snubs that really bring out the Troll in me.

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3) Crimson Peak for Best Cinematography

It’s pretty obvious that this movie wasn’t for everyone. But no matter what you thought about this Guillermo Del Toro horror set in a repressive, Victorian hell-scape, you must admit that it was beautiful to look at. As a genre, though, horror rarely gets any props at the Oscars, mad or otherwise, so this snub wasn’t at all surprising.  I had hoped, however, for some kind of honorable mention. Something like “Best Use of Tom Hiddleston’s Shapely Hind-Parts in a Drama”. Just a suggestion.

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2) JJ Abrams for Best Director

This is mostly wishful thinking. I just hoped that after all  the garbage that has been slung at this genuinely wonderful movie, it might have been recognized with a nom somewhat more meaningful than “Best Film Editing”. JJ Abrams gave us a Star Wars that was steeped in action and humor and nostalgia and feminism, and in return received a whole lot of internet bitching and a truck-load of broken box office records. We audiences are nothing if not inconsistent.

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1) Charlize Theron for Best Actress 

You would think that at least one of the ten nominations doled out to Fury Road would have gone to the performance that made the movie what it was. Theron’s Furiosa was easily the most moving and complex performance in an action movie, well, ever. I bet this pointed snub has left her pretty inconsolable right now.

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See what I mean?

Whitney Weldon

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The Fangirly Show: Episode #3 Fangirling Over Halloween

With an early episode just in time for Halloween, Whitney and Ellen dish on all of their favorite spooky pop culture, including what they put on their Halloween playlists, the first movie to scare their socks off, and who from the horror villain gallery they would prefer to be their murderer.  Plus, Whitney throws out some crazy hypotheticals in a Halloween themed game of Would You Rather!

*NOTE: Listen for the PS at the end of the episode.
You can listen and subscribe HERE on iTunes or you can go HERE to listen and let us know your thoughts in the comments below.
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The Reviews Are In: Crimson Peak

maxresdefaultOf any genre, horror is the hardest to get right. Ask anyone who’s ever tried. It’s nearly impossible to find a subject matter that is universally horrifying, so these movies usually end up being shunted into one of many horror sub-genres: slasher, paranormal, psychological. Because of this, audiences are left to pick their poison, so to speak. So when I tell you that I’ve found a near-perfect horror movie, I invite you to take that seriously.

Which brings me to Crimson Peak. I walked into the movie with no expectations. Not low expectations, but no expectations. None. I intentionally isolated myself from any buzz surrounding this movie, so that I could walk into it fresh. CrimsonPeakChastain

It begins like any Dickensian period piece. Wealthy Edith (Mia Wasikowska) is visited by the ghost of her late mother, and
warned about the dangers of the enigmatic Crimson Peak. As the years go by, Edith forgets the warning and peruses a career as a writer. Her literary aspirations are put on hold, however, when she meets Thomas Sharpe, a titled English gentleman who, as evidenced by his dark hair and habit of lurking in shadowed corners, harbors a secret. Edith is charmed by Thomas and, to a lesser degree, his creepy sister, and agrees to marry him and join him in England. Shortly thereafter, she begins to suspect that her new family has something to hide, and takes it upon herself to figure out what it might be.

crimson_peak_stillFrom the beginning this movie cultivates a looming sense of dread. The film makes overt but effective use of color and shadow (you can distinguish the good guys from the bad guys by their hair color, fashion choices, and total amount of screen time spent having whispered conversations in the shadows). Director Guillermo del Toro took what could have been an overdone concept, Victorian ghosts and decrepit haunted houses, and gives it his own spin. The ghosts are actually terrifying, which isn’t something you see a lot anymore.

Tom Hiddleston is here doing what he does best, heating things up with his now trademark blend of sexy and sinister. Also, for anyone who cares (everyone) you do in fact get to see him naked. And let me tell you, it is just as good as advertised. Jessica Chastain also kills it (wink) as the sister and displaced lady of the house. There is so much to love about this movie, even those of us who aren’t hot for horror will eat it up.

So if you’re looking for a movie that will get you into the Halloween Spirit, look no further. Seriously. Hotel Transylvania 2 can wait for Redbox.

Whitney Weldon