…And it’s pretty much just as I expected. Reviews have been mixed, but most critics say the reboot hasn’t significantly improved or innovated the franchise. Even before it hit most theaters, the movie garnered a measly 10% on Rotten Tomatoes. A. O. Scott of the New York Times said:
“‘Fantastic Four’, despite the dogged efforts of its talented young cast, has nothing. The special effects are at about the level of the early “Harry Potter” movies — lots of glowing green clouds and ice-blue bolts and force fields. The human drama is meager. Once again, the only real pathos belongs to Mr. Bell’s Ben, who finds himself trapped in a stony new body and weaponized by a ruthless government. Mr. Teller stretches, not as an actor but as a digitally enhanced body. Mr. Jordan burns in the same way, and Ms. Mara disappears. Her character also has the power to make other things vanish. I would say she should have exercised it on this movie, but in a week or two that should take care of itself.”
(Ouch. Here’s a link to the full review in case you enjoy a good crucifixion).
Even though I fully expected to be underwhelmed by this movie, I’m still disappointed. Mostly, I just hope that filmmakers who plan to tackle the superhero genre will take something from this: a story doesn’t necessarily need to be dark and gritty to be complex and momentous. Taking this goofy coterie of heroes and simply mixing in some post-adolescent angst is lazy film-making and, from what I can tell, not very true to the source material. These characters- a stretchy professor, invisible lady, human matchstick, and rock monster- are just too whimsical to be taken so seriously. That’s at least something that the first FF movies, despite their many flaws, understood pretty well.
A full Fangirly review is forthcoming, but in the meantime, tell us what you think in our comment section, on Twitter @fangirly2, or email us at email@example.com.
When I initially heard that Fox had cut the cord on our Fangirly Favorite The Mindy Project, my reaction was more or less what you might expect. I sold all my earthly possessions, joined a doomsday cult, and settled in for the End of Days. But from the midst of tragedy, an unlikely hero emerged, destined to redeem us all from a Mindy-less existence. Yes, people, ya heard. Hulu will be picking up Kaling’s brain-baby and giving it new life online.
And this isn’t the first time that a streaming service has needed to step in to save a beleaguered series. Yahoo adopted Community and Netflix resurrected Arrested Development (with debatable success, but still). Not only are these sites delivering really strong, occasionally award-winning, original content to subscribers, they are salvaging the network underdogs that struggle to perform and bringing them back from the dead.
Ok, I’m not an idiot. I know that Hulu probably isn’t doing this out of altruism or some media-messiah complex. They probably stand to make a lot of money from this deal and I have no doubt that the switch will be marketed aggressively. But the fact stands that Hulu is taking a chance on this amazing little show written by and starring one of the only non-white female leads on TV. Ever. Meanwhile, networks are giving us Boy Meets World reboots and a Full House made-for-TV-movie.
This all leads me to ask, do we really need networks? Or are the a relic that is desperately trying to recapture the magic of ten, twenty, thirty years ago? Most shows are available online anyway, and even HBO is offering a streaming service for much less than your exorbitant cable package. As a representative of a generation that watches most of it’s TV online anyway, it’s not a very hard question.
What do you think? Hit us up at firstname.lastname@example.org, or @fangirly2, and give us what you got.
I take an undue level of pleasure in bringing to you our latest round of Fangirly Marry, Boff, Kill. The competition is as tight as the contenders respective outfits and we’re hoping for a clean fight. However, if Ellen starts throwing shade again, I will in no way be responsible for my actions. Today’s contestants are Chris Pratt as Owen Grady (Jurassic World), Nicholas Hoult as Nux (Mad Max:Fury Road), and Aaron Taylor-Johnson as Quicksilver (Avengers: Age of Ultron). And since we know you’ve got opinions, go ahead and unleash them on our Facebook page, our twitter @fangirly2, or at email@example.com.
I realize that the war-boy-turned-unlikely-hero is going to be a hard sell. I can’t imagine my parents being thrilled, especially when they learn that my other choices were a respected dinosaur wrangler and a superhero. To them I say, hey man, Nux might not have a job that pays well (unless he gets paid in raw, manic sex appeal), and our joy might any day be cut short by his cute little tumors, Barry and Larry. But they say the loves that burn brightest are also the most brief. At least I get to send that little psycho off to Walhalla with a smile on his face.
Boff: Owen Grady
I can’t help but think that when your job description involves keeping a bunch of genetically modified tooth-monsters in line, your time as a viable boff is pretty limited. How long until a raptor gnaws off your face, or heaven forbid, you become one of those jaded, Jurassic-World-weary, “I’m getting too old for this Stegosaurus” type dino-dudes. So Let’s do this. You know, before the unthinkable happens and you start to look like Jeff Goldblum.
Did you see this coming? I didn’t. Aaron Taylor-Johnson’s turn as Quicksilver was one of my favorite part of the latest Marvel summer screen buster. Not that it wasn’t problematic (‘nother time, ‘nother place), but I did love this character. I loved the hair (yeah, ya heard) and his unconvincing accent and his sexy blue and grey speed suit. It’s all good. But one must go, and by process of elimination, well, here we are. I’m so sorry. You’re great, but you gotsta go. I mean it. Go! Before I lose my nerve! Wait… come back. Ha! Just Kidding! Get out of here!